Sharing Your Art When It Feels Imperfect (Do It Anyway!)
At my last workshop, someone leaned in, all secretive, and whispered: “I don’t want to share my paintings until they’re… you know… perfect.” And I had to laugh — in a nice way but also with a raised eyebrow — because if we waited for perfect, the world would never see our art. Here’s the thing: there’s no such thing as perfect art.There’s only art that you’re happy with. And
In this guest post, Kira Ru-djen pulls back the curtain on her pastel practice — from blind sketches to bold colour and skeletal forms full of character. Whether painting figures, landscapes, or her beloved “skelebuddies,” her process reveals the deep connection between improvisation, intention, and joy.
Suzanne Godbout shares her still life painting process, inspiration, and pastel techniques for capturing light, texture, and emotion from life.
Pastels, breakthroughs, and a whole lot of bold moves — here’s what went down at this Northwest Pastel Society workshop.
Plein air painting with my Mum led to two paintings of one scene — and one powerful lesson about how thumbnails bring freedom to your art.
A light plein air painting trip with no easel and no grand plans—just five scenes, painted in the moment, with whatever was at hand.
Cory Goulet dives into her process of intuitive abstraction, where bold marks, colour, and courage meet discipline and practice. Discover how she balances chaos and harmony, lets intuition lead, and creates work that is both spontaneous and deeply intentional.
What makes something art—and when is it just kitsch? A curious studio musing sparked by a rock, a sister, and a few inconvenient questions.
![Gail Sibley, [Not yet titled], Unison Colour pastels and a Sennelier pink on UART 400 mounted on board, 15 1/4 x 11 1/2 in -close up of face](https://www.howtopastel.com/wp-content/uploads/2025/07/11.-Gail-Sibley-Not-yet-titled-Unison-Colour-pastels-and-a-SEnnelier-pink-on-UART-400-mounted-on-board-15-14-x-11-15-in-close-up-of-face-Feature-image.jpg)
Explore each stage of this pastel painting and learn about the woman who sparked its creation.
In this guest post, Kira Ru-djen pulls back the curtain on her pastel practice — from blind sketches to bold colour and skeletal forms full of character. Whether painting figures, landscapes, or her beloved “skelebuddies,” her process reveals the deep connection between improvisation, intention, and joy.
I hadn’t been plein air painting in a while, but a spontaneous afternoon with my Mum reminded me why I love it. This post isn’t about masterpieces—it’s about showing up, painting what’s in front of you (even if it’s bins!), and rediscovering the joy of simply doing.
Discover how to use a mahlstick for pastel painting—what it is, how to make one, and why this old-school tool is still a game-changer.
My love of pastel and the enjoyment I receive from teaching about pastel inspired the creation of this blog. It has tips, reviews, some opinions:), and all manner of information regarding their use through the years – old and new. Please enjoy!
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