About

the blog for soft pastel art lovers

Inspired by my love of pastels and the enjoyment I receive from teaching about them the How to Pastel Blog has tips & tricks, reviews, step-by-step progressions, guest bloggers, and a great community on Facebook.

"I am truly grateful for the work put into this newsletter. The content is always inspiring and helpful in my own journey with pastels"

- HTP Blog Subscriber

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Gail Sibley, "We Three," Unison Colour pastels on UART black 400, 12 x 9 in.

Check out the Welcome Video!

A bit about me

I am very lucky to have been born and brought up in Jamaica, a land of beauty and complexity, of warmth and coolness, of vibrancy and tension. Many say that my Caribbean upbringing influenced my palette and I think they may be right. I do know that it shaped my worldview. Check out these sites to learn more about me and my work.

Most Recent Edition

Entering art competitions can be exciting, daunting, and deeply personal. In this guest post, Michael Freeman shares thoughtful, experience-based insights into navigating the competitions landscape — from deciding whether competitions are right for you, to improving your chances of acceptance, and handling disappointment when things don’t go your way. Grounded, honest, and practical, his reflections help artists approach competitions with clarity, resilience, and a stronger sense of self.

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Rita Kirkman, "Counting Sheep," 2015, pastel, 32 x 32 in - sold

Rita Kirkman Has This To Say- It’s Not About The Animals!

I’ve known about Rita Kirkman’s work for a few years now. I can’t remember when I first came across it but I do know she’s been an active blogger for some time. I featured one of Rita’s pieces in my monthly round-up (click here to see it) and finally met her at IAPS last year. It was

Maria Marino – Responding Emotionally To The Landscape

When I think of the work of Maria Marino, I think of pastel paintings full of vitality, texture, and colour. And when I say paintings, I think with Maria Marino’s work, they really are paintings! She applies the pastel so thickly, you feel you could be looking at a thick brush stroke of oil paint. I’ve

PanPastels: Alex Louisa, Pieces and Pinecones, 2013, PanPastel on Pastelmat, 16 x 28 in, Sold. I am constantly drawing from my collection to create interesting still life arrangements. I’m especially drawn to creating interesting cast shadows.

Alex Louisa – Nature In PanPastels

PanPastels. This is a medium I’m not familiar with. Since I’ve had a number of people ask me for information on this product, I thought I’d search out someone who could tell you about it. I’ve also had other readers ask me to do a blog about wildlife painting. In my research, I came across

Putting Yourself Out There: Gail Sibley, "Love That Frame!," Unison Colour pastels on UART 270, 6 1/2 x 5 1/2 in. Available. $195

Putting Yourself Out There – Demoing in Public

One of my HowToPastel subscribers recently reached out to me. She’d been invited to demo in an open space, with COVID-19 precautions in place, but was feeling too afraid to do it. (Her fears weren’t related to the pandemic.) Because I’d recently demoed at Peninsula Gallery where my mini solo show was hanging, I knew something about the fears she was feeling. So,

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How I Decide What To Paint

“How do I decide what to paint?” Gail addresses this common question by taking you through her starting process. You’ll hear her thoughts in a short video.

Pastel Workshops: Gail Sibley, "Gordes," pastel on Pastelcard, 9 x 12 in

Pastel Workshops Coming Up!

Many subscribers have been asking me, “When are your next pastel workshops?!” So I’m pleased to tell you about a number of

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That’s right! I’ve created an art school for people looking for more resources, tools, courses, and information to improve their soft pastel painting! Click the link to check it out.

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6 thoughts on “About”

  1. Gail! Just got turned on to your website by a fellow artist from Wellington, Ontario… both of us former presidents of the Pastel Society of Eastern Canada. I work primarily in pastel and it will always be my medium of choice! I could never give them up! Being a landscape artist for years, I would now like to change things up a bit and try abstract. I was inspired by your article about the progression of your abstract painting…it’s given me the courage to take that (for me) giant leap and go ahead with an image I’ve had in my mind for a long time. Thank you! I look forward to future e-mails! Your’s is one of the best Pastel websites I’ve come across. Look forward to receiving your emails.
    Kathryn

    1. Thank you for writing Kathryn, and for your enthusiasm! It comes over loud and clear 🙂 I am wondering which article on abstraction you are referring to. Perhaps you can add a comment directly on the blog? Good luck with your leap. I know how difficult it is to make. It’s ongoing risk-taking that’s for sure! Please let me know how it goes.

      Look forward to hearing more from you

  2. Marcia L. Hochstetter

    I just read your article in the April issue of “Pastel Journal”. Thank you so much. I felt as if you were speaking directly to me. I am going to tear it out and tape it to my studio wall.
    Marcia

  3. Hi Gail. I’m really excited and pleased to have discovered your website. I live in southern Australia and I started painting with pastels a few years ago (self taught) , but went a bit stale after doing a couple of workshops- mostly because the pastel artists here who I came across seem to be very conventional and felt that I wasn’t learning much. I’ve been working in oils since and enjoyed it- as I’ve realised, it’s similar in many ways. You showcase so many exciting works – use of colour, composition etc. , and your quick tips are helping me rethink how to approach my work. Looking forward to hearing more about your workshop in Tasmania, or perhaps one in Europe in a couple of years’ time.

    1. Hi Judi,
      Thanks for writing such a lovely introduction to yourself and your work. Certainly oils are similar to pastels in the way one builds a painting. Interesting that! I’m glad though that my blog may bring you back to the pastel side 😀 Even if not, so much of what’s here can be applied to the other media available for painting.
      I look forward to having you in one of my workshops whether in Tasmania or Europe!!

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